Doña Pola, may I take you some pics?
Communications students perpetuate the beauty of Piura Monumental Zone.
Photographs Courtesy UPAO/DDC Piura.
PIURA CITY, Peru – How many times have you taken the time to go up this city but looking to explore beauty? Modern times are updating the face to the department’s capital – it doesn’t mean it’s printing identity. It would be convenient.
However amid
the contemporary, it still remains in the walls and public walks those strips
that made the city of eternal heat like a lovely location that inspired
big plays of Peruvian literature, classic waltzes of the national song archive
too.
Piura’s
Descentralized Direction of Culture (DDC Piura) thinks one way to keep that legacy is through the divulgation of that
patrimony, so promoting development. Yes, it’s possible. It’s called making it worthy. That’s why
it has been allied strategically to the
Communications Programme of Piura’s Antenor Orrego Private University (UPAO Piura,
as in Spanish).
Both
institutions started up the project named Photographic Binnacle of Piura
Monumental Zone that looks for build an digital image bank, so implementing
the DDC Piura’s photographic repository specialized in that part of the
department’s capital city.
In the same
way, it pretends to create the Piura’s Cultural Photo Archive which saves
graphic updates in digital format about
all our identity expressed in material, immaterial performances. And as amazing
as it seems, wwe have a riches we haven’t able to value in our department yet.
Or maybe yes, but we are dismissing it.
The Project of DDC Piura and UPAO Piura is initially scheduled for seven months, it will be in charge of Photography Workshop students coached by the teacher Erick aquino Montoro, professional photographer and specialist in documentary film & video.
They use
techniques as documentary photography and architectural photography. For the
first one, the idea is to have a kind of photo memory record. For the second
one, they are having specialized advisory.
DDC Piura’s
architect Cinthia Cotlear León is guiding those graphic tellers about
what details they have to put the eye into, what the meaning in cultural
contribution terms is.
For DDC
Piura’s director Nelly Lorena Zuñiga Saavedra, the project is key as much as
“the photography has turned in the most versatile and accessible tool to
witness the mutable conditions of space/time and the whole changing process
that it brings with living in a context of constant challenges, where we keep
and eye out to reach the development through the revaluation of our cultural
patrimony.”
It’s not the first time the DDC Piura works on the conservation of department’s capital monumental zone. Before the pandemic, it took brushes and detergent to clean the statues a little across this area. By the way, haven’t you realized La Pola is very photogenic? Look at her again. Yes, she is.
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