Passions of the soul in a fantastic world

The Winter of 1928 was one of the coldest that the coast of Piura Region, Peru, learned of. Awakening August 13th, the writer and poet Wigberto Amado Correa Requena born in a humble house located in el Alto de la Paloma, the highest hill of the three conforming Sullana City. The place still exists on Checa Square, an emblematic landmark of so-called Barrio Sur.

 

 

Since a child, he expressed artistic abilities, especially when he talked to his little folks telling jokes, short tales, or anecdotes invented by him. He studied kindergarten and elementary education at José Cardó School, achieving high grades. He studied high-school at Carlos Augusto Salaverry’s.

 

 

It was at this second school wwhen Correa deployed his skills as a writer and an orator, leading to begin as the main character on The Parents’ Pardon play, which after premiering in Sullana, did a kind of tour in Piura, Talara, Paita, Morropón, and Huancabamba. He worked as a teacher and continued writing but he never released

 

 

    The remembrances of 20th-century-second-half Sullana was his recurrent topic that was accumulating into a book project that he called Passions of The Soul in a Fantastic World, which he speaks about love, nostalgia, and makes social critic in key of poem what is just printing, produced by our assistant director Luis Correa Castillo, edited by Melissa Labán Rivera, and illustrated by Dandy Ruíz Estrada El Dandy.

 

 

“This one, part of my poetic archive, is my golden canvas which insights gave me the great deep skill of the soul for painting it with sincere love, so offering you on it, poems those you will find painted verses with the exquisite beautiness of the prose and the truly sharpness for giving your illusion you fascinate so much, the prodigious message that will relief your obsession,” he says on his foreword.

 

 

FACTORTIERRA is collaborating on the project by deploying all its resources of media spreading. The poem book is possible to order and preview here.

 


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